Saturday, April 25, 2020

Victory & Despair The Roaring Twenties Essays - Literature

Victory Despair: The Roaring Twenties Hemenway's World War 1 Which best describes the purpose of style in writing? to make reading the text more enjoyable and interesting to the audience to indulge writers' impulses and help separate them from other writers to present information in a way appropriate to writers' audiences and purposes to elevate the language of the writing to a higher, more sophisticated level Which best describes the purpose of style in writing? to make reading the text more enjoyable and interesting to the audience to indulge writers' impulses and help separate them from other writers to present information in a way appropriate to writers' audiences and purposes to elevate the language of the writing to a higher, more sophisticated level Read the excerpt from Hemingway's A Farewell to Arms . "It could not be worse," Passini said respectfully. "There is nothing worse than war." "Defeat is worse." "I do not believe it," Passini said still respectfully. "What is defeat? You go home." "They come after you. They take your home. They take your sisters." "I don't believe it," Passini said. "They can't do that to everybody. Let everybody defend his home. Let them keep their sisters in the house." This excerpt exemplifies how Hemingway uses short sentences that are still loaded with meaning. contain very little more meaning. are purposefully difficult to understand. hold limited symbolic value. Read the excerpt from Hemingway's A Farewell to Arms . "It could not be worse," Passini said respectfully. "There is nothing worse than war." "Defeat is worse." "I do not believe it," Passini said still respectfully. "What is defeat? You go home." "They come after you. They take your home. They take your sisters." The use of informal diction in A Farewell to Arms robs the passage of having a deeper meaning. helps to maintain the realism of the dialogue. lends an air of absurdity to the dialogue. reduces the readability of the passage. Read the excerpt from Hemingway's A Farewell to Arms . "It could not be worse," Passini said respectfully. "There is nothing worse than war." "Defeat is worse." "I do not believe it," Passini said still respectfully. "What is defeat? You go home." "They come after you. They take your home. They take your sisters." The use of informal diction in A Farewell to Arms robs the passage of having a deeper meaning. helps to maintain the realism of the dialogue. lends an air of absurdity to the dialogue. reduces the readability of the passage. Read the excerpt from Hemingway's A Farewell to Arms . "It could not be worse," Passini said respectfully. "There is nothing worse than war." "Defeat is worse." "I do not believe it," Passini said still respectfully. "What is defeat? You go home." "They come after you. They take your home. They take your sisters." The use of informal diction in A Farewell to Arms robs the passage of having a deeper meaning. helps to maintain the realism of the dialogue. lends an air of absurdity to the dialogue. reduces the readability of the passage. Read the excerpt from Hemingway's A Farewell to Arms . The major asked me to have a drink with him and two other officers. We drank rum and it was very friendly. Outside it was getting dark. I asked what time the attack was to be and they said as soon as it was dark. The casual behavior of the characters during a difficult time demonstrates Hemingway's belief that a hero should exhibit grace under pressure. recognize the meaningless of life. have a mentor to follow. learn from his mistakes. Read the excerpt from Hemingway's A Farewell to Arms . "I believe we should get the war over," I said. "It would not finish it if one side stopped fighting. It would only be worse if we stopped fighting." "It could not be worse," Passini said respectfully. "There is nothing worse than war." "Defeat is worse." "I do not believe it," Passini said still respectfully. "What is defeat? You go home." " They come after you. They take your home. They take your sisters." "I don't believe it," Passini said. "They can't do that to everybody. Let everybody